Archive for the ‘Media’ Category

Your ISP and Reality

Wednesday, June 5th, 2013

In North America, whichever company is providing your Internet service, there’s a good chance you’re getting ripped off.

First of all, data caps are the biggest lie we’ve ever been told.  The fight against “bandwidth hogs” — people who download more than their fair share of data — is the reason for these caps. According to the Internet Service Providers (ISPs) caps mean that average people, those folks who use the Internet for email and the occasional low-resolution YouTube video, will never pay extra while the hogs will pay for all the high-resolution video downloading they’re doing. The way they frame the argument, “hog” is a veiled reference to “pirate”.

There are holes in that argument.  “But” holes.  But: Netflix.  But: today’s 1080p HD video content on YouTube. But: lots of new and innovative services that can’t run without a modern pipeline of data to go with them.

The good news is that most of the big ISPs have introduced “unlimited” services.  I always laugh at the definition of unlimited: it means that they set their systems to accept a limit so high that no one should ever run into it.  This works in most cases.  For example, with the Rogers plan I have now, it would be impossible to hit the cap with today’s technology.  Still, we’ve heard the stories of “unlimited texting” plans that are exceeded by avid teenaged texters.

Even with the unlimited plans, we’re still facing a situation where our communications infrastructure is falling behind in terms of worldwide comparisons on price, availability, and speed — true in both the United States and Canada.

Google may change all that with the introduction of 1 Gigabit service in many under-served communities in the United States.  But Google is carefully evaluating each market and will only enter those where it knows it can make a huge profit.  They have no plans to enter Canada at all.

There are a couple of suggestions that seem to make sense.  These suggestions would outrage the big telecommunications companies, based on their last reaction to being told late last year by the CRTC that yet another merger was not in the public’s best interest.

  1. Do not allow the service providers to also provide content and distribution channels on top of their base service.  Laying cable and fibre then opening up the pipe, like a true utility company, should be the only thing an Internet Service Provider does.  When the same company has profit motivation related to data they are running along those pipes, the temptation to filter or otherwise hinder their competitors is too great.
  2. Introduce true competition in the space. We already have a duplication of wires running through most neighbourhoods, but as we lay down more fibre we have an opportunity to allow different companies to fight for the ability to serve on those existing wires or lay down additional ones.

We, the Web kids

Tuesday, February 28th, 2012

One of the greatest pieces of writing I have seen recently is by a Polish writer, Piotr Czerski, and translated by Marta Szreder.  The piece is like a manifesto for the Internet age.  It targets three key areas of thought:

  1. How the Internet is not something separate but something integral.  How this fact makes attitudes of the “Web kids” different.
  2. How culture is viewed in an age when digital copying and distribution have become commonplace.
  3. How governments and traditional institutions force outmoded paradigms onto a citizenry who increasingly feels contempt for them — not because the Web kids are such rebels but because they are growing accustomed to working with institutions who are in line with the way the “kids” live and work.

By the way, as old as I am, I feel very much in line with the sentiments expressed in this article and thus consider myself a Web kid too.

Please read the piece called “My, dzieci sieci” or “We, the Web kids”.

Really Big Screen for the Super Bowl Party? Lawbreaker!

Saturday, February 4th, 2012

If you’re in the United States and you’re thinking about getting a big screen for the Super Bowl, be careful.  On any screen larger than 55 inches, if you invite someone over to watch the game, you’re committing copyright infringement.  That’s because the way the law is written, your friends comprise “the public” and that makes it a public performance.

(II) if the performance or display is by audiovisual means, any visual
portion of the performance or display is communicated by means of a total
of not more than 4 audiovisual devices, of which not more than 1
audiovisual device is located in any 1 room, and no such audiovisual
device has a diagonal screen size greater than 55 inches, and any audio
portion of the performance or display is communicated by means of a total
of not more than 6 loudspeakers, of which not more than 4 loudspeakers
are located in any 1 room or adjoining outdoor space;

Innovation and the Film Studios

Wednesday, January 18th, 2012

There’s a fascinating infographic that summarizes the long history the Hollywood film studios have with trying to stop innovation.  SOPA is really just the latest round. Click on the image to go to the original site and see it properly.

Red Herring Soup

Tuesday, January 17th, 2012

Since November, when I wrote about the legislation coming through the U.S. Congress and a similar one in the Senate, SOPA has become a household word.  PIPA is almost as common.  OPEN is still quite obscure.  They are all legislative forays with the same goal.  OPEN is the best of the three, but the same driving forces behind the legislation are copyright holders: the big companies that own copyrights.  The laudable introductory text that says “Americans have a right to benefit from what they’ve created” ignores the fact that these days copyright benefits the artist who actually created the work in very few cases.

There are lots of laws on the books that are already used (and abused and abused and abused) to enforce copyright and generally hold people accountable for their online actions.

Meanwhile, Adam Curry postulates that “winning” over SOPA (which happens to be Spanish for soup) and the big Internet blackout that is coming tomorrow in protest of these bills, is nothing but a red herring.

What is the Internet?

Thursday, November 17th, 2011

“The Internet is a series of tubes invented by Al Gore.”

If you get the joke references in that answer, then you probably understand all the issues I will try to raise in this post.  But even if you use the Internet on a daily basis through e-mail or your favorite Facebook games, you may be hearing some of the following for the first time.

The Internet is a technological marvel that, as with most marvels, evolved. Now, the timeframe is so compressed that it may resemble intelligent design more than evolution, but let’s just assume that the incremental improvements happened quickly and that there were more than a few innovators involved.  Most people think of the Internet and the World Wide Web as one and the same.  That’s fine for most purposes these days.

What’s more interesting though, as the recent debates about censorship to battle copyright infringement have shown, is that the Internet is actually a belief system.  The way it grew up was around trust and sharing.  It has been abused by spammers and scam artists, but mostly it thrives because of the goodness and fairness of the majority of people.

I strongly believe that people should be compensated for the work they do.  I see the “Occupy” movement’s difficulty with the richest 1% getting richer off the backs of the 99%.  I also see a strong parallel between that argument and the corporations that are the “content industry” getting rich off the backs of artists.  Copyright lasts so long now that it has nothing to do with ensuring that an artist is fairly compensated for their contributions to culture.  It is really a way for people who can afford to control distribution channels to make money off the artist’s work (70 or more years after the artist is dead).  The Queen Anne Statute (when copyright was first introduced) allowed for the artists to get a temporary monopoly on their artistic expressions (not ideas, by the way, only expressions of ideas) so they could make some money and at the same time contribute to culture.  After 14 years, when the artist has made a chunk of money from his or her creation, the art would fall into the public domain.  There it would be enjoyed by all and (most importantly) re-mixed and improved upon by the next generation of artists.

The Internet brought along the potential for an amazing resurgence of creative talent.  Cheap production and even cheaper distribution could have allowed for artists to create amazing high quality stuff, get it out there, monetize it quickly, and then the next generation would take over.  Instead we have big corporations doing their utmost to lock down all creative output for multiple generations.  The examples that really freak me out are the Walt Disney movies like Cinderella and Snow White which were stories in the public domain that Disney used to build an incredibly successful business; now any attempt by someone to put out content based on those same public domain stories are challenged by the Disney lawyers.  If things worked the way they were originally supposed to, Disney’s own versions would be in the public domain by now.  Remember, since corporations are considered people under the law, the copyright will now last until 70 or more years after the Disney corporation dies.

To stop online copyright infringement, the US government is considering legislation that will allow companies like Disney the ability to cut off funding and “erase from the Internet” any site found to be “facilitating infringement”.  There’s enough ambiguity in the law that Google or flickr could easily be categorized as a “rogue” site. The way they will accomplish the “erasing” is to muck around with the Domain Name System (DNS), the technical backbone of the Internet that converts the Web site name you type or paste into your browser into the IP addresses (numbers) that computers can understand.  The legislation breaks the Internet technically and shatters the underlying belief system.  No trust.  No sharing.

It should be interesting to see how we answer this question in a few years: “What is the Internet?”  If the companies pushing this legislation have their way, the answer may be: “A broadcast medium used by big corporations to deliver content to a paying audience.”  Surely this would be a better answer: “A communications medium that continues to allow each member of the public an equal voice, making it the greatest enabler of democracy and artistic expression the world has ever known.”

Current TV Dramas

Friday, October 7th, 2011

Here is my take on currently airing dramas, using a simple five-star rating system.  This sometimes indicates only my preference, not the quality of the show (for example, Parenthood is an excellent show but I found it too deep and real for my taste; conversely, the new shows Terra Nova and Person of Interest have my attention but could easily lose it again once the novelty wears off).

series network time slot my rating
BOARDWALK EMPIRE HBO sundays (9:00 PM) *****
DEXTER SHOWTIME sundays (9:00 PM) *****
FRINGE FOX fridays (9:00 PM) *****
BLUE BLOODS CBS fridays (10:00 PM) ****
CRIMINAL MINDS CBS wednesdays (9:00 PM) ****
A GIFTED MAN CBS fridays (8:00 PM) ****
THE GOOD WIFE CBS sundays (9:00 PM) ****
NIKITA CW fridays (8:00 PM) ****
PERSON OF INTEREST CBS thursdays (9:00 PM) ****
TERRA NOVA FOX mondays (8:00 PM) ****
BODY OF PROOF ABC tuesdays (10:00 PM) ***
HARRY’S LAW NBC wednesdays (9:00 PM) ***
HART OF DIXIE CW mondays (9:00 PM) ***
HAWAII FIVE-0 CBS mondays (10:00 PM) ***
THE MENTALIST CBS thursdays (10:00 PM) ***
PRIME SUSPECT NBC thursdays (10:00 PM) ***
REVENGE ABC wednesdays (10:00 PM) ***
SUPERNATURAL CW fridays (9:00 PM) ***
UNFORGETTABLE CBS tuesdays (10:00 PM) ***
THE VAMPIRE DIARIES CW thursdays (8:00 PM) ***
CASTLE ABC mondays (10:00 PM) **
CSI: CRIME SCENE INVESTIGATION CBS wednesdays (10:00 PM) **
CSI: NEW YORK CBS fridays (9:00 PM) **
LAW & ORDER: SPECIAL VICTIMS UNIT NBC wednesdays (10:00 PM) **
RINGER CW tuesdays (9:00 PM) **
THE SECRET CIRCLE CW thursdays (9:00 PM) **
STRIKE BACK CINEMAX fridays (10:00 PM) **
CSI: MIAMI CBS sundays (10:00 PM) *
DESPERATE HOUSEWIVES ABC sundays (9:00 PM) *
GLEE FOX tuesdays (8:00 PM) *
GREY’S ANATOMY ABC thursdays (9:00 PM) *
HOUSE FOX mondays (9:00 PM) *
NCIS CBS tuesdays (8:00 PM) *
PAN AM ABC sundays (10:00 PM) *
PARENTHOOD NBC tuesdays (10:00 PM) *
CHARLIE’S ANGELS ABC thursdays (8:00 PM) 0
90210 CW tuesdays (8:00 PM) unseen
AGAINST THE WALL LIFETIME sundays (10:00 PM) unseen
AMERICAN HORROR STORY FX wednesdays (10:00 PM) unseen
BEDLAM BBC AMERICA saturdays (9:00 PM) unseen
BREAKING BAD AMC sundays (10:00 PM) unseen
GOSSIP GIRL CW mondays (8:00 PM) unseen
HOMELAND SHOWTIME sundays (10:00 PM) unseen
LAW & ORDER: UK BBC AMERICA wednesdays (9:00 PM) unseen
LUTHER BBC AMERICA wednesdays (10:00 PM) unseen
THE LYING GAME ABC FAMILY mondays (8:00 PM) unseen
NCIS: LOS ANGELES CBS tuesdays (9:00 PM) unseen
PRIVATE PRACTICE ABC thursdays (10:00 PM) unseen
SONS OF ANARCHY FX tuesdays (10:00 PM) unseen

Creative Accounting

Wednesday, September 21st, 2011

David Prowse, who played Darth Vader (as the body not the voice), has a deal with Lucasfilm to share in the profits of The Return of the Jedi.  The 15th-highest grossing film of all time has apparently not yet turned a profit.  Thus, David Prowse has not yet received any of the cut he quite reasonably thought he might be getting by now.

Now, there are above-line (gross) and below-line (net) royalties.  The A-list stars will get deals that take their cut from the revenues (gross profit) and those cuts will actually be considered an expense by the studio.  In fact, everything under the sun is charged against the revenue so that very few movies ever show a net profit.

I find this rather alarming, but apparently it is common in both the movie and music recording industries.

Purple

Sunday, July 24th, 2011

 

Here’s more Photoshop experimentation.  Remember those art projects where you drew intersecting lines and then colored the resulting spaces like a checkerboard?  This started out as one of those.

Ghost in the Trees

Wednesday, June 29th, 2011

Here’s something fun I just did in Photoshop.  Some day I will learn to use it properly, but experimenting and fiddling around sometimes produces relatively pleasing results.  This is like an update to all the pictures I drew when I was five: big sun, trees, and a stick person or two.